Wednesday, September 10, 2014

Interview with Richie Kotzen of The Winery Dogs at Sonisphere 2014 - in Rock Sins


Interview with Richie Kotzen of The Winery Dogs at Sonisphere 2014

The Winery Dogs Band Promo Photo 2014


What happens when you put three musical titans together? Pure genius, that’s what! Power trio The Winery Dogs is made up of Mike Portnoy (Dream Theater, Avenged Sevenfold), Billy Sheehan (Mr. Big) and Richie Kotzen (Mr. Big, Poison). Rock Sins was lucky enough to be able to sit down and had a chat with Richie Kotzen at Sonisphere.
This is Lisa Fox for Rock Sins. 
RK: I’m Richie Kotzen of The Winery Dogs.
How was the show?
RK: The show was great.  You know when you do these festivals it’s, moves quick, the crew has to set up quick, you don’t really do a typical sound check so you’re kind of depending on your experience as a musician to do what you got to do and I don’t think it could have went better I was totally happy and we connected with the audience which is the most important thing.
And that’s hard to do at a festival when you’re quite far away from the crowd.
RK: You know it’s funny there was a lot of people there but it didn’t seem that way to me, it seemed like we were really connected and I look at people when I’m on stage, you know, I really felt the energy and it was all really strong, positive.
I’m sure you’ve picked up some new fans from today.
RK: Hopefully.
It was a great show.  It really was. So tell me, how did the band come about?
RK: Well Mike and Billy have been playing together in some other formats and I guess they want to do a power trio type of thing and they reached out to me, you know I have a long history of working with Billy on and off. And we got together at my house and we never discussed a direction or anything like that, we started jamming.  Before we knew it we had three songs that ended up being on the record.  But we did those first three we demoed them and felt good about it so we wrote a few more and it was sort of a really simple, kind of mellow process. No real pressure.
So tell me where the name The Winery Dogs came from.
RK: I lobbied hard for that name.  We had a list, a long list of names, that was the hardest thing for us to decide was the band name.  the record was done and we still didn’t have a band name. And I was out with one of my friends and he actually suggested it and I brought it back to the guys and told them what it meant, where it came from and put up a real hard sale and they ended up saying yes we’re The Winery Dogs.
What does it mean?
RK: You see winery dogs used to guard vineyards to keep like pests away from destroying the grapes and the mines.  To me the name reminds me of one of those old bands from the late sixties and early seventies and I think our influence kind of pulls from that era but also because winery dogs are guarding vineyards we can kind of make a parallel to what we’re doing, I don’t think we’re guarding anything but I think we’re definitely calling attention to a preserving the old preserving the old format of making records where it’s really just three guys playing their instruments.  All the sounds you hear on the record are made by either the guitar bass drums or when I play piano, organ.  So, all the instrumentation is real, the performances are real, they’re not altered electronically. And so in that regard it also ties in with the name.
Cool.  So tell me about the album, you released the album last year?
RK: Yes in June. Well we recorded and entire record at my house and we had Jay Ruston do the mixes for us and say a major percentage of the material really came out of us kind of jamming you know we would play a riff or a drum beat or a bass side and then, so, “Try doing this, try doing that” so we could create this kind of skeleton and then from that I would go back and try to write lyrics or we’d sing over it.  Send that back to the guys to make comments here and there, sometimes not and then I’d say maybe seven or eight of the songs we did that way.  A couple of other songs that I had written previously that I brought in that they liked and we turned them into Winery Dogs songs.  A couple of other things that were ideas that I never finished and we took those on and developed them and it’s easy, you know an easy process.  I did all my tracks alone, like I normally record.  I have a studio in my house so everything’s ready to go for that.  I just put the microphone up in front of the board and start singing and that’s how we did it and we handed them off to Jay for the mixes and I, like a three month process in total.  The total time spent from beginning to end and it, we ended up with a record that we really liked and didn’t have any expectations. Apparently it was well received so here we are.
Well I was just going to say that because musically you guys have done a variety of different sounds between all of you, but the Winery Dogs sound is quite rock and roll. Is that just what came out organically?
RK: It is, you know we never discussed direction.  I grew up listening to classic rock and R and B songs so my style falls within that parameter.  Billy and Mike have some things that they were in to that I never listened to when I was younger but then we have in common some things.  So I think what happened is our commonality was the nucleus of our sound.  It’s that common ground you know.  We’re all different…for example.  I don’t have a progressive rock thing but Mike does, he brings that, Mike doesn’t have a history of listening to a lot of you know R and B psychedelic for example but I do so we all have our other things that kind of come together and what I love about the record, it does sound like a new thing but when you hear it no-one’s identity got lost, you know that’s Billy playing bass, you know that’s Mike playing drums and you obviously know what I do, can identify me easily.  So I think that’s the charm of the band.
You worked on quite a lot of projects in your time. You’ve done bits and pieces with Poison and you’ve done some solo stuff,  and you’ve done production as well. What has been your favourite thing to do? 
RK: Well I’ve been a solo artist since 1989 like you said I did a brief thing with Poison but I averaged a record a year since 1989 so I remember in 2011 I finished a solo record 24 Hours. The name of the record is 24 Hours and after that tour cycle I remember saying to one of my friends, “Look I haven’t been in a band in over 10 years maybe it would be nice to take a break for myself and do some co-writing and work with some other guys”.  And literally a few months later the phone rang and they were looking to do something so the timing was perfect. And right now I’m focused on what we’re doing with the Winery Dogs.  I think we’re connecting with people and we’re playing music that we want to play. That’s important. And so there’s no reason not to keep going.
You’ve just released a live album?
RK: Yes, we recorded our second show ever, which is pretty insane and it’s kind of funny because there’s mistakes on the record but we left them there and it’s kind of the charm of it.  That’s going to be out here fairly soon.  I’m curious to see what happens when we make the next one, so we have one from the second show and then we can make one from the 100thshow. It will be kind of interesting to see how the band evolved.
It’s interesting that you’ve not corrected the errors in it because a lot of bands would.
RK: What’s really funny, what’s funny is I did, I made a huge mistake on a record.  We open the show with a song called Elevate.  Midway through we play a song called Six Feet Deeper and the guitar line is very similar. When Mike counted off Six Feet Deeper I started playing Elevate which we had already played. And for the first four measures I’m playing the wrong riff and then I realise, oh shit, fixed it and we kept it, it’s in the video.  There’s another point where we do a cover song, we do Fool Around and Fell In Love so I started, and for some reason I started playing Sarah’s Smile by Hall and Oates and the band doesn’t know that song.  I know it but we never play it together and all of a sudden, right on the mic I say, “Oh fuck I started the wrong song”.  And we were in Japan so I don’t think anyone knew what I said but it’s on the DVD.  Pretty funny.  But there’s some really good moments on there so we’re sharing it with everybody, mistakes and all.
How do you find performing live as a three piece, because it is tough to get that depth of sound live?
RK: Well for me it isn’t.  My format for my entire career has been a power trio. It’s a format that I, that I prefer.  There’s so much musical freedom for a rock band that format and what I love about playing live is having the room to improvise.  If you notice, with the Winery Dogs and with my solo bands, it’s the same thing, we play the songs but we have these long sections where we improvise the solos and they’re different night to night because we listen and play off each other.  So the three piece makes that all the more easier to do. You know listening and responding and you know because I sing it just makes sense you know, I sing and play guitar.  If I didn’t sing we’d have a lead singer, there’d be four guys……but it just makes sense to be a power trio.
What’s next for Winery Dogs?
RK: Well we’re finishing after this tour and we’re going to end in Toronto and we’ve got some European things.  We’ve got some more US shows and then we’re going to wrap it up in Toronto, take a break and hopefully start recording the new records first thing next year.
Fantastic.  I know it’s not really a question for you but are there any thoughts on Dream Theater playing tomorrow?
RK: Oh we’re not going to be here for that. I, I got to be honest I’m not really, I never followed Dream Theater.  I remember the hit that they had years ago because it was on MTV around the same time that a Poison video was on MTV so I remember hearing it, I liked it but I’ve never followed the band but I’m sure they’ll be great.
Are you going to check out any bands today?
RK: Yes I’d like to see Iron Maiden.
Who wouldn’t?
RK:Yes.
Will you see the planes going over as well?
RK: I’m going to watch that too.
So as a final question, because the site is called Rock Sins, what would you say is your biggest rock sin?
RK: Biggest rock sin, well this is going to be a boring sin but I think putting myself in the position playing music that I don’t really want to be playing, and I kind of made a vow to myself years ago that I’ll quit music before I’ll ever make a record that’s something that I don’t want to make.  Because sometimes when you’re young you’re in positions where you have no choice because you want to get to a certain place and then you realise at some point I had a turning point and realised why I’m playing music and it’s because it makes me feel a certain way.  Positive.  You know a good way and that’s what I want to feel, I don’t ever want to be mad at music.  So there’ve been times where I’ve felt that so maybe that was my only sin against myself so to speak.
RK: Thank you.
Thank you very much indeed.
The Winery Dogs’ self-titled debut out album is out now on Loud & Proud Records. The band recently released a 2014 wrap up, which you can read at the following location –http://t.co/Qono9qIwL4. Look out for more great things from The Winery Dogs in 2015!

RICHIE KOTZEN – 6 DE SEPTIEMBRE’14 – SALA RAZZMATAZZ 2 (BARCELONA)


RICHIE KOTZEN – 6 DE SEPTIEMBRE’14 – SALA RAZZMATAZZ 2 (BARCELONA)

Posted 10 Sep 2014 in Crónicas
intro Richie Kotzen   6 de Septiembre14   Sala Razzmatazz 2 (Barcelona)El bueno de Richie Kotzen no para. Tras hacer un parón en su prolífica carrera en solitario para grabar y girar con The Winery Dogs con notables resultados, el guitarrista vuelve a la carga. Ahora ha sido el turno de su primer recopilatorio, "The Essential Richie Kotzen", que ha presentado en gira que ha pasado por nuestro país. Acompañado de un par de jovenzuelos muy competentes al bajo y la batería, el power trio tomó el escenario de Razzmatazz 2 ante una media entrada.Texto: Edko Fuzz

Se encarga de abrir el setlist "War Paint", uno de los temas nuevos que se incluyen en el disco recopilatorio, con buena recepción por parte del público y rápidamente sigue "Love is Blind". El guión no ha variado casi nada con los años: Kotzen se coloca a un lado del escenario y apenas interactúa con el público, ni siquiera regala sonrisas o miradas. Es un tipo que simplemente deja que su Telecaster hable por él. Gracias a un sonido casi perfecto, es posible adivinar mil matices y texturas en el estilo de Richie que sigue el concierto con temas que abarcan todos sus años en solitario y que están incluídos en "The Essential Richie Kotzen": "Love is Blind" y "Bad Situation" son los temas que completan el primer tramo del bolo.
kotzen 2976 Richie Kotzen   6 de Septiembre14   Sala Razzmatazz 2 (Barcelona)kotzen 3007 Richie Kotzen   6 de Septiembre14   Sala Razzmatazz 2 (Barcelona)
La banda brilla en la ejecución de los temas. La base rítmica es sólida y teje un entramado perfecto para que Richie se pueda explayar a gusto con su intrumento en largos desarrollos en los que solea como Dios. El tipo es puro feeling y a veces te preguntas cómo fue posible que acabara en una banda de músicos tan limitados como Poison: sin duda es el miembro con más talento que ha pasado por esa banda. El repertorio rápidamente se asenta sobre un ritmo pausado y más orientado a los temas oscuros y lentos que a los movidos. Además de presentar un tema nuevo que estará en su siguiente disco como "Cannibals", la banda ataca con otro de los temas inéditos en la compilación como "Walk With Me", donde Richie Kotzen brilla a la voz por si no nos habíamos dado cuenta en los temas anteriores.
Sin aspavientos escénicos más que un sobrio juego de luces, el concierto en sí no da para mucho más que contar: banda muy competente y sólida (Richie incluso cede un interludio en "Peace Sign" para que sus acompañantes se luzcan en sendos solos); sonido casi excelso (muy sorprendente tratándose de la sala en la que estamos) y un repertorio que no se extenderá demasiado en el tiempo. "Fear", "Help Me" o "What Is" pavimentan el camino para el que será el encargado de cerrar el setlist de la noche, "You Can’t Save Me", el temazo que también recuperó para interpretar con The Winery Dogs.
kotzen 2963 Richie Kotzen   6 de Septiembre14   Sala Razzmatazz 2 (Barcelona)kotzen 2981 Richie Kotzen   6 de Septiembre14   Sala Razzmatazz 2 (Barcelona)kotzen 2996 Richie Kotzen   6 de Septiembre14   Sala Razzmatazz 2 (Barcelona)
No habrá tiempo para mucho más y la banda vuelve al escenario para deleitarnos con un cachondo "Go Faster", que eleva un poco los ánimos y nos deja a todos con ganas de más. En líneas generales, un concierto más que correcto con unos actores estelares y un centro de atención, Richie Kotzen, fuera de serie. Lástima de la poca duración del concierto y del tono más bien apalancado del setlist que, combinado con brillantes pero largos solos, nunca permitió que la cosa arrancara de verdad. Si sabes a lo que atenerte, es una experiencia muy disfrutable, claro que sí.
Texto y Fotos: Edko Fuzz

Click en las fotos para ampliarkotzen 3062 Richie Kotzen   6 de Septiembre14   Sala Razzmatazz 2 (Barcelona)
Disponible más fotos en nuestra galería en la parte inferior del artículo
SETLIST de R.Kotzen. – Oct’14 – Sala Razz2 @Barcelona
War Paint 
Love Is Blind
Bad Situation 
Cannibals 
Walk With Me 
Fear 
Doin’ What the Devil Says to Do 
Peace Sign 
Help Me 
What Is 
Fooled Again 
You Can’t Save Me 

Go Faster
Go Faster

Tuesday, September 9, 2014

Richie Kotzen - Fear (incredible solo!!) Barcelona







Richie Kotzen - Fear (incredible solo!!) Barcelona

Live  September 6th, 2014 - at Razzmatazz 2 - Barcelona, Spain



Richie Kotzen - "Fear" from the 2006 album 'Into the Black',  also appears on 'The Essential Richie Kotzen (2014)



Richie Kotzen at:

http://richiekotzen.com

https://www.facebook.com/richiekotzenmusic?fref=ts

https://twitter.com/Richie_Kotzen



Mike Bennett on drums

https://www.facebook.com/MBonDrums?fref=ts&ref=br_tf



Dylan Wilson on bass

https://www.facebook.com/dylanwilsonmusic?fref=ts



(solo taken from original video recording by javier ortega)

Richie Kotzen - Fear (incredible solo!!) Barcelona







Richie Kotzen - Fear (incredible solo!!) Barcelona

Live  September 6th, 2014 - at Razzmatazz 2 - Barcelona, Spain



Richie Kotzen - "Fear" from the 2006 album 'Into the Black',  also appears on 'The Essential Richie Kotzen (2014)



Richie Kotzen at:

http://richiekotzen.com

https://www.facebook.com/richiekotzenmusic?fref=ts

https://twitter.com/Richie_Kotzen



Mike Bennett on drums

https://www.facebook.com/MBonDrums?fref=ts&ref=br_tf



Dylan Wilson on bass

https://www.facebook.com/dylanwilsonmusic?fref=ts



(solo taken from original video recording by javier ortega)

Friday, September 5, 2014

Richie Kotzen Announces U.S. Tour - Digital Tour Bus

Richie Kotzen Announces U.S. Tour - Digital Tour Bus



RICHIE KOTZEN ANNOUNCES U.S. TOUR

posted Natasha Nadiah on September 4, 2014
Richie Kotzen - promo
The rock/blues musician, Richie Kotzen, announces that he will be headlining a U.S. tour this November, in support of his recently released album, The Essential Richie Kotzen. You can check out the dates and details, after the break.
Sat 11/1 Annapolis, MD Rams Head Tavern
Mon 11/3 Londonderry, NH Tupelo Music Hall
Tue 11/4 Boston, MA Wilbur Theater
Wed 11/5 New York, NY B.B. King Blues Club & Grill
Fri 11/7 Poughkeepsie, NY The Chance
Sat 11/8 Reading, PA Building 24
Sun 11/9 New Haven, CT Toad’s Place
Tue 11/11 Pittsburgh, PA Altar Bar

Thursday, September 4, 2014

RICHIE KOTZEN - US SOLO TOUR DATES REVEALED - Bravewords



RICHIE KOTZEN - US SOLO TOUR DATES REVEALED

September 4, 2014, 27 minutes ago
news richie kotzen hard rock
RICHIE KOTZEN - US Solo Tour Dates Revealed
Richie Kotzen has announced Stateside dates for his Essential Tour 2014:
November
1 - Rams Head - Annapolis, MD
3 - Tupelo Music Hall - Londonderry, NH
4 - Wilbur Theater - Boston, MA
5 - BB Kings - New York, NY
7 - The Chance - Poughkeepsie, NY
8 - Building 24 Live - Reading, PA
9 - Toads Place - New Haven, CT
11 - Alter Bar - Pittsburgh, PA
12 - TBA
15 - Medina Entertainment Center - Medina, MN
18 - Toad Tavern - Littleton, CO
21 - Ramona Mainstage - Ramona, CA
22 - V'Ampd - Las Vegas, NV
23 - Canyon Club - Agoura Hills,CA
26 - Yoshi's - San Francisco, CA


The video for “War Paint”, one of the two new songs found on the recently-released The Essential Richie Kotzen can be viewed below.
The Essential Richie Kotzen encompasses this iconic talent’s entire career of his most essential work and includes two CDs of classic material, acoustic performances, bootleg material and two brand new songs (“War Paint” and “Walk With Me”), as well as a DVD of music videos, acoustic performances and bootleg material.


Kotzen personally curated The Essential Richie Kotzen from his 18 solo albums in order to give listeners the most comprehensive, cohesive and concise introduction to his extensive body of work. “I’ve really changed and grown as an artist and as a person,” he says. “I hand-selected songs so newcomers can get into my music and learn who I am as a recording artist.”
“War Paint” builds from an opening bluesy riff into a bombastic chorus punctuated by Kotzen’s gravelly delivery and impeccable lead playing. He explains, “It was a challenge to make a studio recording sound like a live band with only one musician playing all the instruments. I think I accomplished that on this track.” At the same time, “Walk With Me” sees Kotzen evolving once more and incorporating a Theremin, an antique electronic instrument, into an emotive and engaging anthem. “There was a specific sound I was hearing in the song,” he reveals. “I realized it was a Theremin, so I bought one. I spent a couple of weeks learning it. I used that where the lead guitar would normally go. It was a really rewarding departure for me.”


With his guitar styles ranging from rock, blues, jazz and fusion to pop and soul, Richie Kotzen has built a remarkably diverse 20 year career as a guitarist, singer and songwriter. During that span, Kotzen toured with his trio extensively outside the United States, building a loyal fan base and selling out shows throughout Europe, Latin America, and Japan. In 1996, Fender guitars honored him with not one, but two signature model guitars. His signature model Telecaster is available worldwide and continues to be a top seller for the brand. In 2006, Kotzen received one of his biggest personal honors when The Rolling Stones chose him to open up a string of Japanese shows placing him in front of some of his biggest crowds to date. He has not only built an incredibly successful solo career, but has also found himself writing, recording and playing live with a variety of different artists, including Jazz legends Stanley Clarke and Lenny White. He currently plays guitar and fronts the band The Winery Dogs with bassist Billy Sheehan and drummer Mike Portnoy (the band’s self-titled debut album debuted at #27 on the Billboard Top 200 Albums chart). With his 20th full-length solo album on the horizon for 2015 as well as countless gigs, Richie Kotzen’s legacy is only continuing to expand. “When you perform, record or write, you go to a different place,” he concludes. “It’s another world. I love hearing people react to the music and lyrics. That’s the ultimate reward.”


To read BraveWords scribe Aaron Small's recent interview with Richie Kotzen, click here.

A Conversation with Richie Kotzen -


2014-09-04-814akgUvHBL._SL1500_.jpg
A Conversation with Richie Kotzen
Mike Ragogna: Richie, whose idea was it to put together a Richie Kotzen Essentialscollection?
Richie Kotzen: It really came from the label. I wasn't planning on doing it. I would've done another Winery Dogs record or a solo record or whatever. There's this big demographic of people that come up to me and are like, "Wow, I didn't know you sang." I'm thinking, "Well I've been doing that since I was seventeen but I understand." They're excited and they say, "I want to hear your music, but there's so many records, I don't know where to start." So we decided to make a collection that answered the question, "If I don't have any Richie Kotzen records, where do I start?" Now there's a starting point. That was really the objective of the record.
MR: You've lent your talents to so many other artist's projects. But did you originally focus on a solo career?
RK: That's what I did. I made my first record when I was eighteen. I've always been a solo artist. I got my contract bought by Interscope when I was twenty and I moved to LA to work on my solo career. Unfortunately once I was here after a year of writing and I had Danny Kortchmar lined up to produce my record and write with me, they decided that they didn't want me to make the kind of record that I wanted to make, which would've been a little more like what I'm doing now, combining my influences the way that I do. They wanted me to be more of a hard rock artist. I refused, I didn't make a hard rock record, they dropped me and my career went the way it went. I continued to make records, but first and foremost I am a solo artist, it's what I've always done. I go into the studio and I come out with a record. It's just what I do. I know people who aren't really super familiar with me hang on to the fact that in 1993, I did a record with Poison. I think a lot of people kind of stopped listening or paying attention, but I've always been a solo artist, it's really who I am.
MR: You can understand why they emphasize that, though. You had some big hits with them, like "Stand" and "Until You Suffer Some."
RK: Yeah, yeah. It's definitely not evil that I was part of that, that was a great record that we made. I still stand behind that record. It was a great time in my life. I do understand the perception, but again the idea with this record was to shine a light on what I've been doing for the last fifteen years and also, like I said, give people a launch point if they're curious to get into my music.
MR: That's true. You were also part of Mr. Big, and you had "Change" and "Get A Life," which were both popular.
RK: Yes, that was right after the Mr. Big era that I put that record "Change" out. There were some TV spots in Japan that used those songs.
MR: You've listed Jimi Hendrix and Stevie Ray Vaughan as some of your influences. Do you still feel those influences affecting your choices?
RK: Yeah, I do still feel that. I always think that what I do is definitely a product of my environment. I trace it back to when I was a kid. Right around the time when I was learning the guitar, I was around seven and my mom was a real rock fan. She saw Jimi Hendrix, she saw The Beatles when they came over the first time, The Stones, Blood, Sweat & Tears, The Who, all those acts. Those records were played in my house, so there's that classic rock influence that was just constantly in the hallways and through the rooms, I was always hearing it. At the same time, my father was more into the R&B stuff, so Talking Book, the Stevie Wonder record. I kind of have this divide between R&B of that era and rock of that era. I think that kind of defined who I became as a musician. Those are my primary influences. As someone that's been doing music as long as I have I don't necessarily think about influences, I just kind of act upon what I hear in my head. When I have an idea for a song, I work it through and it becomes what it is. I'm not dissecting myself, but if a Curtis Mayfield song or a Who song comes on the radio it brings me back to a certain era in my life. I'm aware of my roots, so to speak, but as far as the act of being a recording artist, when I'm writing a song that's the farthest thing from my mind.
MR: You seem to have a bit of a jazz influence, too, since you've been hanging out with folks like Stanley Clarke.
RK: Well I did do the record with Stanley Clarke and Lenny White and that was a real education. Honestly, I'm surprised that they chose me because I'm not a jazz guy. I don't know any standards, I don't have a lot of history. I appreciate it, I love John Coltrane and Miles Davis, I understand the art form, but I would never call myself a "Jazz Guy." Even in that band, playing with jazz musicians, I was still being me and doing what it is that I do. So apparently, there's an element of my playing that can kind of move into that direction, but it probably is something that comes more from the R&B side of things and definitely not because I studied jazz, because I really didn't. I wish I did. I'm blown away when I hear some of these guys, but I can't claim that I'm a jazz guy.
MR: What is it about your sound, maybe your style, that makes other artists seek you out for their projects?
RK: It's hard to step outside of yourself, but I think there's an honesty that exists in me musically that I discovered as I went through my growth as a musician and also the experiences that I've had in the music business that put me into a position where at some point, I decided, "I'm not going to make music that I don't love, and I'm not going to play songs that I don't love." Creativity comes out of being connected with yourself. If you're doing something that is not really something that you feel good about instinctively, you're going to suffer. I've really created a scenario where I won't do something unless I absolutely believe in it. Even with the Winery Dogs, when we got together, we didn't discuss a direction or anything, we just kind of let it happen naturally, and it worked because we didn't have that pressure on ourselves. I think that kind of approach is healthy because you never find yourself in that position where you're unhappy creatively. I don't ever want to be mad at music. The short answer to your question is there's an element of honesty in what I do. A huge element. I won't do something unless I fully believe it's a part of me and I'm connected to it.
MR: Speaking of being connected to it, are there any songs on this collection that are more essential to you than others?
RK: I don't necessarily go back and relive my past, but I can say that there are songs that I think are really significant, especially a song like "Fooled Again." If I was somebody who'd never heard me before and I wanted to know what I sounded like, I'd probably start with that song. It kind of encompasses all the elements of what I do. Stylistically, it has this Curtis Mayfield kind of vibe, but I'm also singing in my style that I sing in and there's the solo that I pretty much go totally off on. It's an important track for me. There are other tracks on here too... "Remember" is one. A lot of these songs are songs that I always play live. There's reasons for that, I guess. But like I said, I never really analyze it, it's just something where I know which songs really hit home for me.
MR: After listening back to a project like this, does it inspire you to do more solo work?
RK: Uh, not really that. I live in that world all the time. If anything I like taking breaks from myself. It's funny, when the Winery Dogs thing happened I had just come off of an album cycle of my own, a solo record called 24 Hours. We were touring a lot, we were out for about two years on and off. I remember saying to someone, "Before I dive in and make another record, I really want to take a break from myself." I even said, "Maybe I should do a project where I work with some other people and then come back to myself when I'm recharged." No sooner did I say that than I got the phone call that Mike Portnoy and Billy Sheehan were looking to do a power trio and wanted to get together with me. It's funny how stuff works, things just kind of happen the way they're supposed to happen I guess. I don't really analyze and look at it like, "Oh wow, look at this thing that I did," or "Look at these accomplishments," because I'm still in a place where I want to continue grow and do work and move forward. At some point I guess I'm going to get tired and not want to put records out and not want to tour and it'll be nice because then I can look back and have that kind of attitude and say, "Wow, I released a lot of music over my life," but for now I'm excited about what I'm doing today and moving forward with that.
MR: What advice do you have for new artists?
RK: Musicians ask me--mostly younger guys--"How do I grow, how do I move forward?" A big component to that is playing with other people. Not everybody has to be a great musician, but by playing with other people and interacting with them and really listening, you grow. Even in my solo band, for example, we're obviously playing my music that I wrote and mostly performed on recordings. I pick guys that can elevate this music to a place that excites me so that night after night there's always something different that happens that I pick up on an improvisation level. That keeps me excited. A key thing for young guys is just to get out, play live and play with other people in different styles. Maybe someone's more of a musician and that's not really your thing, but don't be afraid to experience that. That will help you grow. Once you've arrived to a place where you feel like you have your own identity musically, then the parameters are a little different. Then you select people that have more in common with you and that can elevate your music. In the early stages, play with as many different people as you can. Play live. Playing live is a key component. That would be my advice to young artists.
MR: Do you remember what advice you got when you started?
RK: Funnily enough, there's an Ozzy story floating around from one of the interviews that I did; in that time that I spent with Ozzy we were talking about the record business and one thing that he said to me was, "Always pick the money." We were talking about record deals and I was explaining how I had several deals from major labels that went south, and he said, "Here's the thing. People talk. On one hand, you've got a guy telling you that they're going to give you a twenty year career with box sets and everything and then in the other hand you've got someone who seems like they're not interested but they're going to give you a half a million dollars to go and make a record; take the money." That was his advice. It seems like at least in the music business that's the only thing that's concrete. Everyone talks a lot of shit, tells you a lot of things that are going to be happening, but they don't really commit. The only way to force a commitment, at least back in those days, was through a front-loaded deal. That was the advice that Ozzy gave me.
MR: It's the proverbial bird in the hand.
RK: Exactly.
MR: What about your future looking like?
RK: I have a new solo record that's going to be released in January, it's calledCannibals. It's ten new songs. I'm very excited about the record because there's one piece on it that I wrote with my daughter and I can't wait for people to hear it. My daughter's seventeen now, but probably four years ago she was playing this piano piece every time she'd sit at the piano and I said to her, "What is that?" and she said, "Oh, it's something I wrote." I set up the microphones and recorded this and it lived on my hard drive for years. When I was finishing my record I went back to look at some of things I had recorded and I discovered this piece and I just had this idea for lyrics, so wrote lyrics and sang on it. It's one of the coolest things I've done. It's different from what I normally would've done, it's just piano and voice, and because she wrote the changes it's got a whole other vibe. It's really a cool piece of the record.
MR: Is this where your daughter's going?
RK: Yeah, she's really doing well with music. I don't want to jinx anything but she's got some great opportunities in front of her. I'm very excited for her right now.

BLUESAmericana & Beyond: Chatting with Keb' Mo', Richie Kotzen, Ishmael Herring and Warren Cuccurullo

http://www.huffingtonpost.com/mike-ragogna/bluesamericana--beyond-ch_b_5763340.html